Oh, holy heck! This is one ferocious beast of an album, a non-stop convulsion of nine concise blammo noise attacks that’s exactly as fierce as one might want/imagine a Marvel Team-Up of John Wiese and Wyatt Howland/Skin Graft to be. Straight out of the gate from its opening volley, this pummels… there’s so much constant motion and so many simultaneous competing lines of noise that it demands deep attention to keep up with the barrage of simultaneous explosions. A glass-shattering cascade will fire in several directions with different shades of crunch, stutter for half a second, then reconfigure and blast again with machine-gun scatter, glassine feedback and synthesizer spraying new colours/shapes. “Accessible World” attacks at top velocity for its short duration… which is just long enough to cram in enough energy to fuel a dozen lesser noise albums. On “Melpomene”, for example, the track’s five minutes contain a whirl of competing elements that twist, implode, then erupt over and over. A lesser album might have been expanded from this piece alone, but Wiese favours brevity… his discography (both solo and with his group Sissy Spacek) features a surprising number of one-sided seven inches and half-hour-or-less CDs. I suppose he likes to get to the point and leave ‘em breathlessly wanting more… which he does! So while it shouldn’t be a surprise that these nine tracks last just over half an hour, he packs plenty of information to warrant return visits, allowing listeners to change focus and hear the ultra-dense and ultra-active music differently. The quick inhalations between tracks are the only pause that a listener gets, and they aren’t much respite… “Accessible World” is restless noise, ceaseless high-density sound in perpetual furiously-breathless motion, recorded at a level of clarity to encourage/reward concentrated listening if that’s what you want to do with it. Or, you can play “Accessible World” loud and not overthink it… (HS)
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