Sissy Spacek
H 98, TRO-303
Release date: June 5, 2020

1. Peak Everything/ 1
2. Peak Everything/ 2
3. Peak Everything/ 3
4. Peak Everything/ 4
5. Peak Everything/ 5
6. Peak Everything/ 6
7. Spirant (Mix)
8. Air Horn
9. Comic Mirror
10. Unnecessary Conversation
11. Disintegrating
12. Konkret/ 1
13. Konkret/ 2
14. Konkret/ 3
15. Konkret/ 4
16. Konkret/ 5
17. Konkret/ 6
18. Konkret/ 7
19. Konkret/ 8
20. Konkret/ 9
21. Konkret/ 0

Including: Sarah Bernat, Phil Blankenship, Ted Byrnes, Martín Escalante, Jon Lorenz, Lasse, Marhaug, Sean Matzus, Charlie Mumma, Richard Ramirez, John Rich, John Wiese, C. Spencer Yeh

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Xeaxx Xeaxx
Hieroglyph of Thought b/w Tropical Coordinate
No Town
Release date: June 5, 2020

The new Xeaxx Xeaxx (pronounced “Heavy Seals”) 7-inch!

This is not a lathe, just a good old hifi sounding vinyl record. Xeaxx Xeaxx is a musique concrete unit featuring John Wiese & Brace Paine. In 15 years Xeaxx Xeaxx have released one CDEP on Troniks and one 7-inch on Fast Weapons and played two shows (one in the bathroom at The Smell and I can’t recall where the other one was, but involved us both trying to get into a sleeping bag with some microphones)… 15 years later we have a new 7-inch! Maybe we will do an LP in 2048? For this recording Brace Paine played a prepared 12 string acoustic guitar & John Wiese did the electronics and manipulations.

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Sissy Spacek
Collateral Dilation
Helicopter, H 96
Numbered edition of 25

K2/Sissy Spacek
Bee Slave
Helicopter, H 97
Numbered edition of 25

Sissy Spacek
Helicopter, H 101
Numbered, stamped, and water colored edition of 33

Sissy Spacek
Prize Closet
Helicopter, H 102
Numbered, stamped, and water colored edition of 53

Available May 1, 2020

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Full Blast (Peter Brötzmann / Marino Pliakas / Michael Wertmüller) / John Wiese / Victoria Shen

Fri 08 May, 2020, 8pm
($25 – 20) All-Access
First Unitarian Congregational Society

Friday, May 8th, ISSUE returns to the First Unitarian Congregational Society in Brooklyn Heights to present an expansive program of liberated sound featuring Peter Brötzmann’s trio outfit Full Blast with Marino Pliakas & Michael Wertmüller, as well as new solo work by artist and composer John Wiese, and musician, visual artist, and instrument maker Victoria Shen.

Their first North American tour in almost a decade, Full Blast is known, out of all the projects Brötzmann is currently working on, as being the most consistent and the longest running. With the precise and dynamic Swiss rhythm section of Marino Pliakas (electric bass) and Michael Wertmüller (drums), the group is referred to by Brotzmann himself as simply “THE TRIO.” Full Blast frequently conjures the essence of Brötzmann’s landmark early free recording Machine Gun in its visceral intensity, while also, in the words of Tim Niland, being “far more than Peter Brötzmann with a rhythm section, [but] a fully functioning band that is a group of equals that play together as comrades.”

John Wiese presents the U.S. premiere of a new 8 channel composition commissioned by Ina/GRM. Known for his individual approach at the intersection of American noise and modern composition, Wiese’s artistic practice crosses many disciplines, but often shares conceptual similarities to musique concrète and is expressed through fixed recorded works, diffusions, performance, and installations. In 2016, Wiese was invited to perform at the Ina/GRM’s Présences Électronique Festival along with a residency at their multi-channel studio in the basement of Radio France.

ISSUE is also pleased to present Victoria Shen performing new solo work, following her collaborative performance of “Laminals II” last year with 2019 Artist-In-Residence Charmaine Lee. Shen’s music floods its location acting as a form of sculpture. Her music features analog modular synthesizers (Flower Electronics), contact microphones, and other self-built electronics. These instruments are designed to electronically create chaotic systems, systems which are highly sensitive to small changes in their initial parameters. The resulting music eschews conventions in harmony and rhythm in favor of the extreme textures and gestural tones.

An aggressive, emotive free jazz trio, Full Blast is another project of reedman Peter Brötzmann’s touring and recording configurations and includes the explosive rhythm section of Marino Pliakas on electric bass and Michael Wertmüller on drums. Wertmüller and Brötzmann toured with each other for years as a duo, and Wertmüller and Pliakas worked with each other frequently on various festival gigs, as well. The trio issued a debut album, the self-titled Full Blast, in 2006 on the German Jazzwerkstatt imprint, following it with Black Hole on Atavistic in 2009. Recently, they have released a series of records on TROST, including Sketches and Ballads (2011) also featuring Ken Vandermark and Dirk Rothbrus, Risc (2016), and Rio (2018). The group has toured consistently since fall of 2004, visiting the U.S., Canada, Brazil, Chile, Japan, China, UK, Ireland, Germany, Norway, Finland, Netherlands, Belgium, Portugal, Poland, Sweden, Denmark, Austria, Slovenia, Czechia, Slovakia, Hungary, Croatia, Italy, France, Spain, Serbia, Ukraine, Switzerland, Egypt, Israel, and Russia. They have also performed and many international contemporary jazz and new music festivals, concert halls, clubs, and venues worldwide.

John Wiese is an artist and composer living and working in Los Angeles and Cleveland. From his experiments with recording as a teenager, he has since gone on to work in the world of contemporary sound art and the international experimental community. His sounds can be completely serene and sublime while at the same time being as equally frenetic and irregular, a sign of the artist’s ability to adapt and utilize a wide palette to build captivating aural works. As a performer and recording artist, his expertise in composition, texture, and experimentation with sound confirm his reputation of being an original and innovative voice in experimental music.

Victoria Shen is a musician, visual artist, and instrument maker native to San Francisco and working out of New England. Shen’s sound practice is concerned with the spatiality/physicality of sound and its relationship to the human body. Shen’s multidisciplinary visual work operates within the space where science, technology, craft, and art history overlap. Shen has performed solo across North America, Japan, Mexico, and Europe as Victoria Shen and Evicshen and as half of the duo TRIM in North America and the UK. Some notable venues in which she has performed include Boston City Hall, the Solomon R. Guggenheim Museum, ISSUE Project Room NY, DOMMUNE Tokyo, and Petreon Sculpture Park Cyprus. Shen has also been an artist in residence at Elektronmusikstudion EMS Stockholm SE, WORM Rotterdam NL, Kurimanzutto New York US, and the Sound Laboratory of The Royal Danish Academy Copenhagen DK.

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ACID-FREE is pleased to announce the launch of its new Library Services division, debuting at Frieze Los Angeles.

A new model in book distribution developed in support of the diversity of independent publishing practices, Library Services showcases a curated library of titles from a roster of publishers based in Los Angeles and the greater US. Titles supplied by Library Services are available for on-site browsing in the Frieze Los Angeles Backlot, with publications made available for purchase through a new platform that connects buyers directly to publishers.

With a focus on books that maintain positions of criticality and self-reflexivity, Library Services provides audiences an opportunity to support the Acid-Free publisher network and its mission to create new spaces for critical discussion surrounding independent art publishing.

Programming Schedule

Saturday, 2pm
Book signing of Aesthetical Relations with Christina Catherine Martinez for Hesse Press

Participating Publishers

2nd Cannons Publications
Atelier Éditions
Bad Dimension Press
Blum & Poe
California Poets
Cassandra Press
Coloured Publishing
David Kordansky Gallery
Eggy Press
Five Nine
Golden Spike Press
Hat & Beard Press
Hesse Press
High Desert Test Sites
Inventory Press
Los Angeles Contemporary Exhibitions
New Documents
Silent Sound
Sming Sming Books
Tan & Loose Press
Wolfman Books
Zolo Press

Private Preview
Thursday, February 13
Friday, February 14

General Admission
Saturday, February 15, 11am–7pm
Sunday, February 16, 11am–6pm

We look forward to seeing you!

More Information

Hosted by

Frieze Los Angeles
Paramount Pictures
5515 Melrose Ave.
Los Angeles, CA

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Sleetmute Nightmute
HEL 99071

Discography of Sleetmute’s early 2000’s Portland blasting No Wave. Includes their 7-inch and LP (originally released by Nathan of The Gossip’s Fast Weapons label), plus 10 unreleased songs (same sessions as the LP), and a live set.

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Sissy Spacek
H 93

20th anniversary edition of Sissy Spacek’s first album, first ever LP edition. Frantic, violent, destroyed music.

“Probably the world’s first plunderphonic grindcore record. Although in this case all of the plundering is self inflicted and self directed as they record their own blasting grind record and attack it with a razor blade and spit out a garbled, sputtering, stuttering no-wave masterpiece. Think Oval, if he only scratched Drop Dead and Crossed Out CDs. Nice.” —Aquarius Records

Sissy Spacek
H 94

20th anniversary edition of Sissy Spacek’s second album, first reissue since it’s original release. Incomprehensible, discombobulated.

“This four-track explosion of sound had my jaw agape from the first note to the last. With minor
percussive breaks between sizzling hard-wired damage, this wasn’t at all what I expected. Instead John Wiese has offered tracks that intensely re-align your senses for their fifteen minutes of “insane”. It’s not until we get to the final track “Please Don’t Sleep While We Explain” that the wash of colorful collision is tempered and muffled to conclusion. It’s a scream-fest, jazz jam with fire to spare. Not for the weak hearted.” —TJ Norris

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Warren, MI

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Graphic Waves

グラフィック社編集部 編


仕様:B5変形 並製 総232頁

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Saturday Feb. 29, 2020, 10 am-6 pm
Sunday March 1, 2020, 10 am-4 pm

60 Cleveland Ave. (Entrance on E. Gay Street), Columbus, Ohio
Free entry. Free Parking.

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The Présences Électronique 2020 Festival will take place on March 27, 28 and 29 at studio 104 of the Maison De La Radio!

On the program:

Friday 27 20 pm

Maggi Payne “Crystal”
John Wiese
Matthias Puech

Saturday 28 20 pm

“Mycenae Alpha”
Berry Ahti
Rashad Becker
Nina Garcia

Sunday 29 18 h00

Ivo Malec “Recitativo”
Live the best
Richard Chartier

Full: 10 €
– 28 years: 5 €


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Mitchell Brown/Ariel Rosenburg/John Wiese, live at The Smell, January 4, 2020. Photo by Cameron Murray

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